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・ The Ridding
・ The Revolution (Inhabited album)
・ The Revolution (newspaper)
・ The Revolution (radio station)
・ The Revolution (TNA)
・ The Revolution (TV series)
・ The Revolution (WCW)
・ The Revolution Betrayed
・ The Revolution Continues Alliance
・ The Revolution EP
・ The Revolution Is Never Coming
・ The Revolution of Everyday Life
・ The Revolution of Ship Registration in Hong Kong
・ The Revolution of Yung Havoks
・ The Revolution Quartet
The Revolution Script
・ The Revolution Smile
・ The Revolution Starts Now
・ The Revolution Starts Now (album)
・ The Revolution That Wasn't
・ The Revolution Will Be Televised
・ The Revolution Will Not Be Microwaved
・ The Revolution Will Not Be Televised
・ The Revolution Will Not Be Televised (album)
・ The Revolution Will Not Be Televised (book)
・ The Revolution Will Not Be Televised (disambiguation)
・ The Revolution Will Not Be Televised (film)
・ The Revolutionaries
・ The Revolutionary
・ The Revolutionary Age


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The Revolution Script : ウィキペディア英語版
The Revolution Script

''The Revolution Script'' is a fictionalised account by Northern Irish-Canadian novelist Brian Moore of key events in Quebec's October Crisis – the kidnapping by the Quebec Liberation Front of James Cross, the Senior British Trade Commissioner in Montreal, on October 5, 1970 and the murder, a few days later, of Pierre Laporte, Minister of Labour in the Quebec provincial government. It was published in Canada and the United States at the end of 1971. The British newspaper ''The Sunday Times'' reproduced excerpts from the book and it was published in the United Kingdom in January 1972.
==Reception and criticism==
According to Sandra Martin of Toronto's ''Globe and Mail'', ''The Revolution Script'' can be seen as a "Truman Capote-style novel".
Ian McGillis, for the ''Montreal Gazette'', described it as "a kind of docu-novel that places the reader in the middle of the October Crisis with an immediacy that makes it feel like this morning’s news".
''Kirkus Reviews'' felt that Moore's attempt to "make the characters less than 'faceless'" fell short but praised his portrayal of the "foolhardy, insurgent enterprise"'s "catalytic tension and instantaneity".
George Woodcock said: "When he is describing settings... he writes vividly and evocatively. When he reconstructs action, he is almost invariably convincing. The coating of verisimilitude, however, begins to wear thin when he tries to create dialogue between the terrorists. The Revolution Script reads then as if it were written, not by Brian Moore the novelist, but by by some rather clumsy imitator of Roch Carrier, and the terrorists shape themselves in our minds as incredibly ignorant, naïf and pathetic, which I am sure is not Moore's intention."
Jeanne Flood said that it was "the most flawed and disturbing of all Moore's books" and described its "explicit concern with media" as "nothing less than obsessive". She criticised as "unethical" Moore's "projection of the deeply personal onto public events involving real persons" and argued that the subject matter of the book "demands the scrupulous impersonality of the journalist, not the private emotional energies of the novelist".
However, Moore's biographer, Patricia Craig, described it as "a compact thriller, a perfectly creditable and engrossing reconstruction of a striking sequence of events".

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